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Grateful Dead Live at Stanley Theater on 1979-12-01

Topics Matrix, Dan Haugh

This source is availble in DTS 5.1 format (not streamable)

Set 1:
d1t01 - Crowd
d1t02 - Jack Straw ->
d1t03 - Sugaree
d1t04 - Me And My Uncle ->
d1t05 - Big River
d1t06 - Loser
d1t07 - Easy To Love You
d1t08 - New Minglewood Blues
d1t09 - Althea
d1t10 - The Music Never Stopped

Set 2:
d2t01 - Crowd
d2t02 - China Cat Sunflower ->
d2t03 - I Know You Rider
d2t04 - Looks Like Rain
d2t05 - He's Gone ->
d2t06 - Gloria Jam ->
d2t07 - C C Rider ->
d2t08 - Jam ->
d2t09 - Drums ->
d3t01 - Not Fade Away ->
d3t02 - Black Peter ->
d3t03 - Sugar Magnolia
d3t04 - One More Saturday Night

Killer Philler:
Soldiers & Sailors Memorial Hall

Kansas City, KS
12-11-79 II (pt)
d3t05 - Terrapin Station ->
d3t06 - Lost Sailor
d3t07 - Saint Jam ->
d3t08 - Saint of Circumstance ->
d3t09 - Jam

Collection GratefulDead
Band/Artist Grateful Dead
Venue Stanley Theater
Location Pittsburgh, PA

Source Soundboard and Audience Matrix (see info file)
Lineage DTS-Audio-CD 5.1 Mix
Taped by See info files for details
Transferred by Dan Haugh


General Notes:

When the AUD source surfaced on bt.etree, I contacted Am-Dig to see about
putting the coloborative effort into editing a matrix of this incredible
show in Pittsburgh, PA. So a 5.1 and matrix will be available.

The FOB AUD is an excellent recording for '79 and the SBD is balanced with
everyone in the mix. There is some slight phase mostly noticeable in the
first set, and it would appear the SBD source is slightly different for
the second set. Pitch-wise it appears the first set is a little slow whereas
the second set SBD is in pitch. The AUD is definately picking up the main
PA (as opposed to a "mouth" recording which is up close and catching the
stage/monitor mix) so the result is added ambience to an otherwise sterile
SBD. Luckily Charlie Miller's redux of the SBD source recently helped alot
since there is much less hiss in this new SBD source.

This show is simply jammin', featuring the first and only Gloria Jam
(10-16-81 first time with vocals) and the breakout of C.C. Rider. I also
have never heard any other version of Looks Like Rain with a "stormy" intro.
The first set is tight and energetic, a sign of things to come in a highly
creative second set.

Since disc 3 was going to be short, I decided to make an excerpt matrix of
a show 10 days later that features a start from nothing Saint O. The
groovy Saint intro is very unique and well worth multiple listens.

12-1-79 Reviews from

- "This is one of the classic shows from the 70's and just an incredible jam
all the way through. This one is a must for any collector."

- "I can only wonder how stoked the boys were to have Brent as the new guy...
Gloria Jam smokes and that next "jam" is a completely different work of art."

- "This show stands out in the early Brent era as one of the best.
He's Gone>Gloria>CC Rider jam is about as exploratory as the band ever got
in the post '76 era. In fact, it is eerily ?reminiscent of the kinds of
things the band was doing in '73-74. The China>Rider, Rain to open the
second set are dead on versions too."

12-11-79 Reviews from

- "That complete stop between Sailor > Saint and the sweet Saint beginning
is one of the coolest moments I have ever heard from The Guyz. It is
definitely a five star attraction. I played it over and over and over the
other night because it was sooo unusual."

- "Just for the pause (complete stop) between Lost Sailor and the EXTREMELY
juicy sweet beginning of St. of Circumstance - It is a must! I love this
era of The Grateful Dead. Thick, mellow, alive and jazzy."


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on 12/16/2007
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Source: Source: Sony D6 Cassette master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker,Official Taper Section
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Source: flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;
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Source: Set 1 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m);
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Source: Sennheiser ME-80's>Technics SV-MD1 from front of Taper's Section
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Source: Hat Mounted Realistic PZM,s with Sony WMD6-C 1st set Sony Metal-SR 100 No nr 2nd set Maxell MX 110 No nr 40 feet away,Dead Center
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Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
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Source: Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS;